电影 关于在短时间内的某几个人的经过
  • 提醒:不要轻易相信视频中的广告,谨防上当受骗!
  • 如果无法播放请重新刷新页面,或者切换线路。
  • 视频载入速度跟网速有关,请耐心等待几秒钟。


简介

关于在短时间内的某几个人的经过 HD中字2.0
2.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
291次评分
给影片打分 《关于在短时间内的某几个人的经过》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

  • 扫一扫用手机访问

影片信息

  • 关于在短时间内的某几个人的经过

  • 片名:关于在短时间内的某几个人的经过
  • 状态:HD中字
  • 主演:未知
  • 导演:居伊·德波/
  • 年份:1959
  • 地区:法国
  • 类型:剧情/
  • 时长:内详
  • 上映:未知
  • 语言:法语
  • 更新:2024-05-31 18:42
  • 简介:Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.  These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.  Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.  Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.  Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.  The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.  Our camera has captured for you a few aspects of a provisional microsociety.  The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.  This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.  The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...  Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�  Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.  Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.  On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.  Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.  Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.  Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.  Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.  The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.  What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.  Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.  Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.  Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.  Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.  Voice 2 Years, like a single instant prolonged to this point, come to an end.  Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.  Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept  Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.  Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.  Voice 1 Really hard to drink more.  Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.  Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.  Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.  The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.  To really describe this era it would no doubt be necessary to show many other things. But what would be the point  Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.  1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
首页 电影 剧情片 关于在短时间内的某几个人的经过

播放列表

 当前资源来源ok播放器 - 在线播放,无需安装播放器
 倒序

猜你喜欢

  • HD
    凯莉·霍威/休·博纳维尔/萨姆·修汉/康勒斯·希尔/杰弗里·帕尔默/萨姆·菲利普斯/迈克尔·吉普森/Grant Crookes/Robert Jarvis/Darcey Ewart/Bobby O'Neill/Bodhi Marsan/Isabella Jonsson/Sarah Beckett/
  • HD
    路易斯·霍夫曼/尤纳坦·贝尔林/卢娜·韦德勒/妮娜·古米西/安德烈·容/马克·林帕赫/尤汤·伊谢/吕克·费特/珍妮·沃纳/玛丽·容/史蒂夫·卡里尔/多米尼克·德文波特/Chris Weber/Joscha Schönhaus/Sina Reiß/Stephanie Stremler/Stefan Merki/Nickel Bösenberg/
  • HD
    James Zimbardi/迪·沃伦斯/迈克尔·帕尔/
  • HD
    朴智敏/吴光禄/Guka Han/金善映/约恩·齐默/路易多·德·朗克桑/Hur Ouk-Sook/Son Seung-Beom/金东硕/Emeline Briffaud/Lim Cheol-Hyun/Régine Vial/Cho-woo Choi/
  • HD
    高桥一生/饭丰万理江/木村文乃/长尾谦杜/安藤政信/美波/
  • HD
    罗宾·瑞努奇/法比恩·巴布/Tolsty/
  • HD中字
    小日向文世/ちはる/木南晴夏/池田鉄洋/徳永えり/でんでん/佐藤二朗/清水章吾/
  • HD
    李铭忠/叶泓毅/范宸菲/柯大堡/谢章颖/
  • HD中字
    李乃文/冯文娟/张峻宁/谭凯/姬他/芦展翔/赵子琪/郭阳/郭亮/刘凡菲/张垒/冯国强/赵彦乔/
  • HD
    格温妮斯·帕特洛/杰瑞米·诺森/托妮·科莱特/伊万·麦克格雷格/詹姆斯·科兹莫/格列塔·斯卡奇/艾伦·卡明/苏菲·汤普森/凯思琳·拜荣/菲丽达·劳/Edward Woodall/布莱恩·卡普龙/Denys Hawthorne/波利·沃克/Angela Down/约翰·福兰克林·罗宾斯/茱丽叶特·斯蒂文森/鲁思·琼斯/李·布罗德曼/Brett Miley/Paul Williamson/Karen Westwood/
  • HD中字
    奥拉·加里多/哈维尔·佩雷伊拉/
  • HD
    方力申/陈奕/何花/周柏豪//张冬/朱梓玥/房旭世/苏盛华/

可能喜欢的电影

 换一换
  • 更新HD
    塞巴斯蒂安·斯坦/杰瑞米·斯特朗/马丁·唐文/玛丽亚·巴卡洛娃/凯瑟琳·麦克纳利/查理·卡里克/本·苏利文/马克·兰道尔/乔·平格/罗恩·利/伊迪·英克斯特/马特·巴拉姆/莫尼·乌古孙苏伊/布拉德·奥斯汀/斯图尔特·休斯/吉姆·摩纳科/克莱尔·库尔特/休莫·波/塔米·邦迪/杰克琳·沃格/
  • 正片
    伍迪·哈里森/刘思慕/芬恩·科尔/克利夫·柯蒂斯/马克·博纳尔/玛安娜·本灵/约瑟夫·阿尔京/波比·瑞恩斯伯里/Connor Reed/Nick Biadon/Riz Khan/Aldo Silvio/Kevin Naudi/Claudiu Baciu/Brett Murray/Muhammad Arnini Bin Ariffin/Yaroslav Musii/Ramon Camilleri/Christian Scicluna/Daithí O'Donnell/
  • 更新HD
    郭子瑜/舒杨/赖晓生/邵老五/岳冬峰/郭晓郭/
  • 更新HD
    刘禹/陶桃/
  • 更新HD
    张燕燕/韩海群/
  • 更新HD
    梁辰羽/樱雪/代佳夕/李卫东/杨一凡/齐迹/张公乐/高鸿炜/曾芳婷/徐凡/李子胤/李思贤/陈皓/沙轩/
  • 更新HD
    李宁/尤钲渲/吴雨诺/
  • 更新HD
    左启泽/侯培杰/黄世伟/鞠元哲/
  • 更新HD
    王怡欣/徐禾苗/周奕辰/王心瑶/蔡林锜/李诗琪/祝琦特/江城/
  • 更新HD
    汤姆·布莱斯/拉塞尔·托维/玛丽亚·迪齐亚/克里斯蒂安·库克/加布·法齐奥/艾米·福赛思/约翰·贝德福德·劳埃德/Darius/Fraser/Alessandra/Ford/Balazs/Sam/Asa/Brownstein/

最新资讯

更多

评论

评论已关闭