电影 关于在短时间内的某几个人的经过
  • 提醒:不要轻易相信视频中的广告,谨防上当受骗!
  • 如果无法播放请重新刷新页面,或者切换线路。
  • 视频载入速度跟网速有关,请耐心等待几秒钟。


简介

关于在短时间内的某几个人的经过 HD中字2.0
2.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
291次评分
给影片打分 《关于在短时间内的某几个人的经过》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

  • 扫一扫用手机访问

影片信息

  • 关于在短时间内的某几个人的经过

  • 片名:关于在短时间内的某几个人的经过
  • 状态:HD中字
  • 主演:未知
  • 导演:居伊·德波/
  • 年份:1959
  • 地区:法国
  • 类型:剧情/
  • 时长:内详
  • 上映:未知
  • 语言:法语
  • 更新:2024-05-31 18:42
  • 简介:Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.  These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.  Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.  Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.  Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.  The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.  Our camera has captured for you a few aspects of a provisional microsociety.  The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.  This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.  The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...  Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�  Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.  Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.  On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.  Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.  Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.  Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.  Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.  The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.  What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.  Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.  Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.  Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.  Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.  Voice 2 Years, like a single instant prolonged to this point, come to an end.  Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.  Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept  Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.  Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.  Voice 1 Really hard to drink more.  Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.  Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.  Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.  The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.  To really describe this era it would no doubt be necessary to show many other things. But what would be the point  Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.  1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
首页 电影 剧情片 关于在短时间内的某几个人的经过

播放列表

 当前资源来源ok播放器 - 在线播放,无需安装播放器
 倒序

猜你喜欢

  • HD中字
    张达明/黎耀祥/姚乐怡/
  • HD中字
    汤姆·希林/莎斯琪亚·罗森道尔/阿尔布雷希特·舒赫/梅雷特·贝克尔/米夏埃尔·维滕博恩/安妮·贝南特/Thomas/Dehler/Petra/Kalkutschke/Elmar/Gutmann/Aljoscha/Stadelmann/Eva/Medusa/Gühne/Luise/Aschenbrenner/
  • HD
    加里·格兰特/爱娃·玛丽·森特/詹姆斯·梅森/洁茜·罗伊丝·兰迪斯/里奥.G.卡罗尔/约瑟芬·哈钦森/菲利普·奥伯/马丁·兰道/亚当·威廉姆斯/爱德华·普拉特/罗伯特·艾伦斯坦/莱斯·崔梅恩/菲利普·柯立芝/帕特里克·麦克维/爱德华·宾斯/肯·林奇/马尔科姆·阿特伯里/
  • HD中字
    罗伯特·杨/贝特西·德雷克/约翰·萨顿/Florence/Bates/莫里斯·卡诺夫斯基/
  • HD中字
    仇永力/鹿潇桐/
  • HD中字
    江青/田野/孙越/
  • HD中字
    刘迈/梁思琪/孙荐玺/
  • HD中字
    马跃/严崑/褚颖颖/唐加思/
  • HD
    雅酷朴·盖尔秀/阿伽塔·库莱沙/克日什托夫·皮耶钦斯基/巴托茨·戈尔纳/Danuta Borsuk/Filip Bobek/Krzysztof Dracz/金嘉·普雷斯/彼得·格洛瓦茨基/安娜·伊尔丘克/维斯瓦夫·科马萨/Karolina Dryzner/Ewelina Paszke/Magdalena Smalara/Michal Rolnicki/Radoslaw Krzyzowski/葆莉娜·查布寇/马修·纳夫罗茨基/Elzbieta Golinska/Ida Nowakowska/Ola Radw/
  • HD中字
    王力可/邱心志/杨昆/田重/刘挺/龚轶/肖天/王浩男/
  • HD中字
    叶卡捷琳娜·戈卢别娃/Richard/Courcet/Vincent/Dupont/洛朗·格雷维尔/阿莱克斯·德斯卡/Irina/Grjebina/Tolsty/丽娜·雷诺/碧翠斯·黛尔/Ira/Mandella-Paul/Sophie/Simon/Danielle/van/Bercheycke/Patrick/Grandperret/Fabienne/Mai/Alice/Hurtaux/
  • HD中字
    太保/袁富华/区嘉雯/卢镇业/胡轶心/林耀声/江涛/王晓怡/刘亭君/施魅力/黄国辉/翟紫筠/

可能喜欢的电影

 换一换
  • 更新HD
    戴曼德·布·阿布德/Betty/Taoutel/Bilal/Al/Hamwi/Shaden/Fakih/Hagop/Der/Ghougassian/Junaid/Zeineldine/法雅徳·耶敏/Fadi/Abi/Samra/Tarek/Tamim/Elie/Mitri/Joyce/Nasrallah/Saad/Kadri/Ibrahim/Ajami/Mounir/Challita/Kathy/Youness/Mohammad/Bsat/Mohamad/Al/Khansa/Erika/Mallah/Co/
  • 更新HD
    比拉尔·哈斯纳/路易斯·格雷特雷克斯/萨菲亚·英加尔/特里克·贾莱特/Darkwah/Sarah/Agha/Rebecca/Lucy/Taylor/爱迪森·阿尔凯德/Aetheria/Angel/Baby/Ali/Barouti/Latifa/AL/Khalifa/Bellamy/蒂姆·贝灵顿/Tim/Bowie/Adam/Howden/布基特·科穆尔/Emma/McDonald/Alexis/Meshida/Huw/Morgan/Ghazi/Al/Ruffai/
  • 更新HD国语
    古天乐/林家栋/林嘉欣/张继聪/王敏奕/车婉婉/孙佳君/林家熙/杨偲泳/林千渟/郑子诚/陈紫萱/邓月平/
  • 更新HD
    朱轶洲/张欣怡/杨和/
  • 更新HD
    李思远/王北龙/
  • 正片
    阿西夫·阿里/Anaswara Rajan/Manoj K. Jayan/
  • 正片
    古尾谷雅人/池波志乃/夏八木勋/
  • 正片
    康格娜·拉瑙特/阿努潘·凯尔/普米卡·查瓦拉/萨提许·卡素吉/米林德·索曼/玛希玛·乔杜里/施瑞亚斯·塔尔帕德/斯科特·亚历山大·杨/R·巴克提·克莱因/克里斯托夫·吉贝/Adhir Bhat/Mannveer Choudharry/Ashok Chhabra/Manoj Singh Kaira/Alok Gagdekar/Mrinal Roy/
  • 第61-77集完结
    张政勇/李立楠/郭涛/
  • 正片
    Inayat Verma/阿布舍克·巴强/Nora Fatehi/
  • 第31-61集完结
    艾德·哈里斯/玛丽·伊丽莎白·马斯特兰托尼奥/迈克尔·比恩/里奥·伯梅斯特/托德·格拉夫/约翰·贝德福德·劳埃德/金伯利·斯科特/J·C·奎因/小基德·布鲁尔/克里斯托弗·墨菲/
  • 正片
    塞巴斯蒂亚诺·皮加齐/Laura Serena/
  • 第75集
    罗映姫/池秀媛/金惠玉/崔钟焕/韩可露/崔尚(최상)/朴利媛(박리원)/权道英(권도형)/
  • 正片
    古天乐/林家栋/林嘉欣/张继聪/王敏奕/车婉婉/孙佳君/林家熙/杨偲泳/林千渟/郑子诚/陈紫萱/邓月平/
  • 正片
    古天乐/林家栋/林嘉欣/张继聪/王敏奕/车婉婉/孙佳君/林家熙/杨偲泳/林千渟/郑子诚/陈紫萱/邓月平/
  • 正片
    陶昕然/赵炳锐/
  • 正片
    菲比·汤金/达伦·曼恩/穆斯塔法·斯皮克斯/维勒莉·玛哈菲/琳赛·摩根/坦纳·比尔德/
  • 正片
    汤姆·布莱斯/拉塞尔·托维/玛丽亚·迪齐亚/克里斯蒂安·库克/加布·法齐奥/艾米·福赛思/约翰·贝德福德·劳埃德/Darius Fraser/Alessandra Ford Balazs/Sam Asa Brownstein/
  • 更新HD
    莫哈末·沙菲·纳斯威普/Michelle/Lungan/Pun/Ratu/Aran/Hezekiah/Asim/Lian/Terawe/
  • 更新HD
    瑞安·戴斯蒂尼/贾兹敏·海德利/基利·D·艾伦/布莱恩·泰里·亨利/德阿德雷·阿季扎/克里斯蒂安·阿丁顿/莫里斯·韦恩·安格林/蒂恩纳·维尔/伊德里萨·萨诺戈/泰特姆·道格拉斯/奥妮克·阿德莉/亚当·克拉克/谢奇纳·姆普姆尔瓦纳/内恩迪亚·勒瓦尔斯/塞凯·杰登·史密斯/奇杜贝姆·拉斐尔·埃肯杜/莎拉·艾伦/兰内特·瓦雷/杰森·维恩伯格/理查德·刘易斯/
  • 正片
    萨迪·辛克/穆雷·巴特利特/小马克·布恩/小凯文·哈里森/雷吉娜·赫尔/布丽·埃尔罗德/Dora Dimic Rakar/Pokey LaFarge/Ivona Tomiek/马林科·普拉加/Judy Malka/多米尼克·西查克/Rithvik Andugula/Tin Mihalic/Andrea Juric/Rydel/Abhishek Awasthi/Marta Cerovecki/Roger Petan/
  • 正片
    费尔南达·托里斯/费尔南达·蒙特内格罗/赛尔顿·梅罗/玛乔丽·伊斯恬诺/路易莎·科索夫斯基/Valentina Herszage/玛丽亚·马努拉/加布里埃拉·卡内罗·达库尼亚/Bárbara Luz/Cora Ramalho/Olívia Torres/安东尼奥·萨博亚/Guilherme Silveira/梅芙·金琴丝/奥塔维奥·林哈里斯/温贝托·卡劳/卡米拉·马尔蒂拉/丹·斯蒂拉奇/卡拉·里巴斯/Kauã Rodriguez/
  • 正片
    卡里姆·莱克路/伊萨卡·萨瓦德戈/约翰·雷森/尼古拉·比斯/克莱尔·博德森/西蒙·弗雷/巴贝蒂达·萨乔/杰里米·扎格巴/玛莎坎·加安·东尼奥/罗纳德·贝姆斯/
  • 正片
    Lucas Evans/Anthony Rogers/Jill Stanley/Andrew Whitehead/保罗·鲍波维奇/
  • 06案下
    李雪健/乔奇/庄则敬/
  • 正片
    Junaid Khan/杰德普.阿赫拉瓦迪/Shalini Pandey/沙尔瓦里·瓦格/维拉夫·帕特尔/Sunil Gupta/Vaibbhav Tatwawdi/梅·维贾/Jay Upadhyay/Ananya Agarwal/普里亚尔·戈尔/Sandeep Mehta/斯内哈·德赛/Jamie Alter/马克·班宁顿/Hemant Choudhary/Edward Sonnenblick/
  • 正片
    绫濑遥/大泽一菜/市川实日子/高良健吾/河井青叶/伊佐山博子/原田琥之佑/渡边美佐子/大⻄力/松浦伸也/
  • 更新HD
    炎亚纶/赖雨濛/贾征宇/吴茉彤/陶慧敏/苗皓钧/王鑫/陈之辉/
  • 更新第11集
    何蓝逗/冯荔军/刘泽庭/章煜奇/余籽璇/姚书豪/吴恒/丁翔南/卫延侃/郑拓疆/桑娜/戴安娜/
  • 更新HD
    范植伟/马思纯/蒙亭宜/甘薇/马德林/孙一理/彭冠英/

最新资讯

更多

评论

评论已关闭