不安
影片信息
- 状态：HD中字
- 主演：英格丽·褒曼/马蒂亚斯·维曼/雷娜特·曼哈特/
- 导演：罗伯托·罗西里尼/
- 年份：1954
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2024-05-31 18:16
- 简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
- 669
-
-
扫一扫用手机访问
4.0
网友评分
2次评分
扫一扫用手机访问
剧情简介
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
可能喜欢的电影
换一换-
更新HD罗克·赫德森/柯克·道格拉斯/多罗茜·马龙/约瑟夫·科顿/卡洛尔·琳蕾/
-
正片能年玲奈/田中圭/泷藤贤一/田中美奈实/服部树咲/高石明里/桥本爱/寺辻健一郎/光石研/若村麻由美/
-
正片布尔库·比里奇克/Pinar Deniz/Aras Aydin/巴莎克·达什曼/伊尔达姆.阿克格/Nezaket Erden/Gökay Müftüoglu/Sabahattin Yakut/Esref Seyitoglu/Veli Kiliç/
-
更新HD汤姆·塞兹摩尔/理查德·格里克/罗伯特·拉萨多/
-
更新HD宝音尼木胡/巴德玛/陈维涵/塔娜/都愣扎那/僧格仁钦/鄂尔奇斯/敖敦高娃/
-
更新HD倪青/简叶/陈传凯/
-
更新HD高凯元/尔玛依娜/
-
更新HD李亚林/史可夫/杨洸/任伟民/刘儒/张健佑/黄玲/王健华/李万城/庞学勤/段斌/郭振清/侯健夫/马世达/李瑛/谭成江/卢廷兰/赵斌/
-
更新HD秦海璐/麦惠芬/Xiao Ming Biao/Wai Yiu Yung/Kwok-Ping Cheung/Fanny Fen-Ni/Qingyong Hu/嘉嘉/李苹/李爽/Zhihan Lu/Suet-man Mak/Kam Yiu Ngai/Ming Wong/Rong Yang/
-
更新HD陈思羽/刘毅/张宏博/陈晶晶/
-
更新HD曾小莲/魏河清/肖杰/桑国盛/任禹禹/
-
更新HD牛宝亿/陈一辰/马哲/张钿悦/林栗/李颂慈/周航/
-
更新HD于小慧/
-
更新HD龙进刚/刘冰欣/
-
更新HD张金玲/梁庆刚/陈裕德/
-
正片裘德·希尔/凯特芮娜·巴尔夫/詹米·多南/朱迪·丹奇/塞伦·希德/科林·摩根/刘易斯·麦卡斯基/乔西·沃克/弗蕾娅·耶茨/内萨·埃里克森/查理·巴纳德/弗兰基·黑斯廷斯/马伊雷德·泰尔斯/卡奥兰·麦卡锡/小伊恩·邓尼特/迈克尔·马罗尼/罗拉·麦克唐纳/艾莉·康德伦/图尔洛夫·科维里/杰拉德·霍兰/康纳·麦克尼尔/约翰·塞森斯/马克·哈德菲尔德/克莱尔·阿什顿/萨克·霍兰/欧拉·麦克唐纳/
-
更新HD康格娜·拉瑙特/阿努潘·凯尔/普米卡·查瓦拉/萨提许·卡素吉/米林德·索曼/玛希玛·乔杜里/施瑞亚斯·塔尔帕德/斯科特·亚历山大·杨/R·巴克提·克莱因/克里斯托夫·吉贝/Adhir/Bhat/Mannveer/Choudharry/Ashok/Chhabra/Manoj/Singh/Kaira/Alok/Gagdekar/Mrinal/Roy/
-
更新HD苏珊娜·汉密尔顿/迈克尔·马罗尼/米兰达·诺兰/维拉吉·骏加/
-
更新HD未知
-
更新HD北川景子/伊藤英明/上川隆也/甲本雅裕/泉品子/玉山铁二/马场园梓/涩谷凪咲/笹野高史/吹越满/金山一彦/坂东龙汰/月亭方正/ミルクボーイ/本多力/
-
HD中字汤姆·汉克斯/罗宾·怀特/加里·西尼斯/麦凯尔泰·威廉逊/
-
更新HD马国伟/潘星谊/迟强/兰景林/周刚/顾尔立/韩东/黄金鉴/宋文超/于秀华/林宏/张会民/张健/杨金著/孙旋/朱镜/刘宏/陈义/王占明/王德全/
-
更新HD舒遥/沁坤/杨欣荣/苏莎/王新华/薛荣/安程玄/
-
更新HD古铭瀚/杨雪/毛凡/张永华/马群雄/
-
更新HD王庆祥/迟蓬/张杨果而/徐囡楠/宋歌/
-
更新HD米莉·波比·布朗/克里斯·帕拉特/关继威/杰森·亚历山大/安东尼·麦凯/伍迪·诺曼/吉安卡罗·埃斯波西托/斯坦利·图齐/伍迪·哈里森/布莱恩·考克斯/珍妮·斯蕾特/汉克·阿扎利亚/科尔曼·多明戈/艾伦·图代克/德文·达尔顿/泰瑞·诺塔里/马丁·科勒巴/帕蒂·哈里森/亚当·克罗斯代尔/Gabrielle/Maiden/Chris/Silvestri/布洛克·布罗姆/库利·卡尔文/阿兰·波尔/Myles/Evans/安吉拉·戴维斯/兰德尔·P·海文斯/
-
更新HD王德顺/王诗雯淇/黄嵩博/徐文宇/朴政希/
-
更新HD未知
-
更新HD姜艺声/邵峰/曾晨/张天其/刘泽菲/左腾云/
-
更新HD姜武/刘奕铁/包贝尔/马苏/朱时茂/胡子程/刘怡潼/安琥/